Rembrandt's "Belshazzar's Feast"
Wednesday, February 14, 2007
Venting
I am trying to decide if it's a generational thing, but it seems to me that people are becoming increasingly self important. Maybe those people just bug me. Shrinks say that if you need to tell/show how great you are, then you are pretty small inside. Actually, it isn't really that those people number even as much as 10% of the population, but I am just very aware of them. I need to just ignore more.
It seems that everyone is ADHD, and I think this program is making me become that way. I am simultaneously reading so many different things and thinking about so many different projects that it becomes confusing. I do think it is a mistake to explore works for too long which are believed to demonstrate concepts: we need to cover more ground. I think it occurs to satisfy instructors' needs--keep them in their comfort zone longer.
I do find connections endlessly between different areas that I am exploring.
Tuesday, February 6, 2007
Techno Hazards and Resolutions
I was really amazed at how easy google has made it to set up a website. Thank goodness for google. I was frightened by the prospect of maintaining an ejournal, but now it is merely a matter of finding all of the scattered materials that should be on it. If they had only had us set up the page the first day of the MATX program, life would have been so much easier. Perhaps they will manage that for the next class who will not have to suffer as many start-up problems as we, the guinea pigs, have. It was also quite simple to establish this blog. Now, if my PhD program could just catch up to google, I'd be all set!
I have been thinking a great deal about the integration of text and visuals. I seem to confront the subject everywhere that I turn. I suppose it is just because I am thinking about it for a seminar paper, or is the concept surging to the forefront?
Sunday, January 28, 2007
Visual Archives
I am interested in learning more about visual archiving. Some applications of technology appear far more useful than others. Digital narrative strikes me simply as an effort to apply new technology to old forms, rather than a true literary advancement. It does seem to mimic though, the current narrative style of short fiction: beginning, middle, no end. Hypertext shifts provide the same indecisive close. Online archives, on the other hand, organize materials in ways which are often extremely useful, as in the case of William Blake's "Songs of Innocence and Experience." It's hard to imagine the difficulties faced by scholars in the past, forced to travel across the globe to make comparisons between the different versions without ever seeing them side by side. I am interested in exploring further different archives for individuals and complete collections. I am thinking of pursuing this for a project.
Saturday, January 27, 2007
"People don't see the world before their eyes until it's put in a narrative mode."
Cambridge Introduction to Narrative, by H.Porter Abbott (6)
I have been exploring connections beween artistic and textual modes. I am excited by an independent study that I am planning which challenges my undergraduate students in short narrative to create a visualization based on the text of Joseph
Conrad's Heart of Darkness. The student visual interpretations will be based strictly upon the text. I am interested in the tendency of some writers to demonstrate "painterly" tendencies in their descriptive passages. I also recognize the tendency of many painters to render narratives in their work, in particular, I think of Degas' Absinthe Drinker. I have used that painting in creative writing class, asking students to provide the story line. The woman's posture shows a story within the image. One of my professors says that that painting, emerging from the impressionist period, denies the attachment of a narrative, but the audiences I have encountered (the student writers) disagree, providing, with ease, a story line.
Conrad's Heart of Darkness. The student visual interpretations will be based strictly upon the text. I am interested in the tendency of some writers to demonstrate "painterly" tendencies in their descriptive passages. I also recognize the tendency of many painters to render narratives in their work, in particular, I think of Degas' Absinthe Drinker. I have used that painting in creative writing class, asking students to provide the story line. The woman's posture shows a story within the image. One of my professors says that that painting, emerging from the impressionist period, denies the attachment of a narrative, but the audiences I have encountered (the student writers) disagree, providing, with ease, a story line.
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